Water Dreaming - Puyurru - orange background - Australia

The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek bed are water soakages or naturally occurring wells. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. It travelled across the country, with the lightning striking the land. This storm met up with another storm from Wapurtali, to the west and was picked up by a Kirrkarlanji (Brown Falcon, Falco berigora) and carried further west until it dropped the storm at Purlungyanu, where it created a giant soakage. At Puyurru the bird dug up a giant snake, Warnayarra (the Rainbow Serpent) and the snake carried water with it to created the large lake, Jillyiumpa, close to an outstation. In this painting, curved and straight lines represent the Ngawarra (flood waters) running through the landscape. Motifs frequently used to depict this story including small circles representing Mulju (water soakages) and short bars representing Mangkurdu (clouds).

This work is accompanied by a certificate of authenticity

Born: 1/01/1925

Skin Name: Jangala

Country: Puyurru, NT, Australia

Group: Warlpiri

 

Biography:

Shorty Jangala Robertson was born at Jila (Chilla Well), a large soakage and claypan north west of Yuendumu. He lived a nomadic hunter-gatherer lifestyle with his parents, older brother and extended Warlpiri family. They travelled vast distances across desert country, passing through Warlukurlangu, south west of Jila and Ngarlikurlangu, north of Yuendumu, visiting Jangala’s, his skin brothers.

His childhood memories consist of stories associated with the Coniston massacre of Aboriginal people and close to Jila, families were shot at Wantaparri. Shorty Jangala Robertson had virtually no contact with white fellas during his youth but remembers leaving Jila for Mt Theo ‘to hide’ from being shot. His father died at Mt Theo and then with his mother moved to Mt Doreen Station, and subsequently the new settlement of Yuendumu.

During World War II, the army took people from Yuendumu to the other Warlpiri settlement at Lajamanu. Shorty was taken and separated from his mother however she came to get him, on foot and together they traveled hundreds of miles back to Chilla Well. Drought food and medical supplies forced Shorty and his family back to Yuendumu from time to time. His working life was full of adventure and hard work for different enterprises in the Alice Springs Yuendumu area. He finally settled at Yuendumu in 1967 after the Australian Citizen Referendum.

It is extraordinary in all his travels and jobs over his whole working life, that he escaped the burgeoning and flourishing Central Desert art movement of the 1970’s and 1980’s. Thus Shorty’s paintings are fresh, vigorous and new. His use of colour to paint and interpret his dreamings of Ngapa (Water), Watiyawarnu (Acacia), Yankirri (Emu) and Pamapardu (Flying Ant) is vital, yet upholding the Warlpiri tradition. This fledgling artist well in his 70’s is an active member of Warlukurlangu Co-operative. He lives at Yuendumu with his wife and artist Lady Nungarrayi Robertson.

His first solo exhibition at Alcaston Gallery in 2003 was met with great artistic acclaim.

 

Medium:

Acrylic on Canvas

Prints on paper

 

Themes:

Ngapa Jukurrpa (Water)

Watiya- warnu Jukurrpa (Acacia Tenuissima)

 

Collections:

Araluen Cultural Precinct, Alice Springs
Araluen Cultural Precinct, Alice Springs
Artbank, Sydney, NSW
Art Gallery of New South Wales, Sydney
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne
Flinders University Art Museum, Melbourne
Gordon Darling Foundation, Canberra
Private Collections