Mina Mina Dreaming – Ngalyipi - cross - Australia

Painted in 2009. The country associated with this Jukurrpa is Mina Mina, a place far to the west of Yuendumu, which is significant to Napangardi/Napanangka women and Japangardi/Japanangka men. All of them are the custodians of the Jukurrpa that created the area.

The Jukurrpa story tells of the journey of a group of women of all ages who travelled to the east gathering food, collecting „ngalyipi? (snake vine [Tinospora smilacina]) and performing ceremonies as they travelled. The women began their journey at Mina Mina where „karlangu? (digging sticks) emerged from the ground. Taking these implements the women travelled east creating Janyinki and other sites. Their journey took them far to the east beyond the boundaries of Warlpiri country. The „ngalyipi? vine grows up the trunks and limbs of the „kurrkara? (desert oak [Allocasuarina decaisneana]) trees. „Ngalyipi? is a sacred vine to Napangardi and Napanangka women that has many uses. It can be used as a ceremonial wrap, as a strap to carry „parrajas? (wooden bowls) that are laden with bush tucker and as a tourniquet for headaches.

This work is accompanied by a certificate of authenticity

Born: 7/01/1928

Skin Name: Nangala

Country: Yuendumu, Northern Territory

Group: Warlpiri

 

Biography

Rosie Nangala Fleming was born around 1928, at the time when many Warlpiri and other Central and Western Desert Peoples were living a traditional nomadic life. With her family she travelled around the country in the traditional way, visiting sacred sites and learning about her ancestors, her creation stories and her country. She and her late husband came from their ancestral country to live in Yuendumu when it began as a settlement sometime in the late 1940's. As a young woman, Rosie Nangala began working for Mrs Fleming, a Baptist missionary who assisted her in establishing a Warlpiri Women's museum at Yuendumu in the late 1970's, as a keeping place for ceremonial objects and a centre for women to meet. Rosie became president of the museum and administered it for many years.

Rosie Nangala made artifacts, seed necklaces and mats for a number of years and when Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre, was established in 1985, Rosie was one of the first women to paint with acrylic on canvas. She paints her mother’s and her father’s Jukurrpa stories, stories which relate directly to her land, its features and animals. These stories were passed down to her by her father and mother and their parents before them for millennia. Her Dreamings are ngapa (water) from her mother’s side; and warlukurlangu (fire) and Yankirri (emu) from her father’s side.

Every week day Rosie comes to the art centre, sits with her friends and paints. She still likes to go hunting when she can.

 

Medium

acrylic on linen

acrylic on canvas

ceremony

 

Themes

Ngapa (water) Warlukurlangu (fire) Yankirri (emu)

 

Collections

South Australan Museum, Adelaide

National Gallery of Victoria. Melbourne

Australian Museum Sydney

The Kelton Foundation Collection